k2Final Draft, Inc. Final Draft FFFF000000060002000177AA00000000007D000000002000110180499000480048-2582818200194-13D13D23D13D2216707D006476228182C6FFFF0103D5900001000001A9000000060AF44084058D77B826CAE803CC0027ACD77B81240AF414D34084017B8D7EB826C9D803CC004EAC11FEB8149014D31DED40840EB8D714BC26C8FA03CC00614B011F14BC1F801DED293D40840114BCD71BBC26CB2803CC0081BB011F1BBC2300293D3052408401BBCD7212426C6EA03CC00A2118D721241FD030523D594084012124D7281826CD00038E00C280018928181BA0000200000AFA00000000AF4,FOREVER LOST by Ralph Pritchard EXT. city street - dAY A car is speeding down a city street with Linda Buchanan, a well-dressed, middle-aged woman at the wheel. CUT TO: InT. car - mOMENTS LATER Linda is having an intense discussion with her husband Larry an intellectual looking man of the same age while their teen aged daughter Larrissa listens to an iPod. Larry This is getting out of hand. I..I just dont know who to trust anymore. OilCo tried to get another injunction to shut us down again. Linda (frustrated, almost in tears) Why dont you just sell the damn thing and get out? Youre not the only one being affected by this Larry! LARRY Honey, I have to see it through...we have to see it through. I just cant let big oil get their hands on this. The technology...it works. Dont you see this will solve the worlds energy crisis. LINDA Are you forgetting what they did to the inventor of the 200mpg carburetor? He isnt step foot out of that hospital for the rest of his life...Get Gus to cover for you, we cant take much more of this. LARRY Gus, are you kidding me? Hes one of the reasons Im spending more time at the office. Ive got to find proof that he is collaborating with OilCo...Some partner, I still cant believe he tried to sell all those shares to them last year, despite his claims to the contrary. Look, the company is doing well and I must ensure that the formula for the solar panels... At that moment their car runs a red light at an intersection where a large truck hits them broadside. CUT TO: EXT. cITY STREET - MOMENTS LATER Evidence of impact and its severity are seen. FADE TO BLACK. FADE IN: INT. caR - MOMENTS LATER Larry hears the sound of people shouting, sirens ringing and the calming, reassuring voice of a young woman speaking to him through his broken window. Leslie Youre OK. Everything is going to be alright. Larry turns and looks up at her in disbelief. CUT TO: Begin Flashback EXT. benCH IN FRONT OF SCHOOL - EvENING Terry, Leslies friend is getting on her bike to leave Terry Sorry Leslie its getting late, I gotta run, see you at grad party tonight. LeSLIE (she dials her cell phone) Ya, cya. LARRY (V.O.) Hello LESLIE Daaaaad, Im still waiting. CUT TO: INT. larrys office - eVENING LARRY (on the phone) Ohh Leslie, Im so sorry...Im on my way! He hangs up phone is immediately interrupted by his partner Gus, late 30s a confident, well dressed man. Gus Another 400,000 shares sold Larry! Whaddi tell ya, were rich! Cmon, let me introduce you to the purchaser. He drags a reluctant Larry out the door. In the background we see Victor, a well-dressed man late 50s. EXT. bench in front of school - eVENING Leslie waits impatiently as a car approaches and comes to a stop. A slightly odd looking man leans over and offers her a ride. 0002000009E500000AF49DF,Tony Do you need a lift? Leslie looks around for her fathers car, stands up, then reluctantly gets in the car. INT. strangers Car - momENTS LATER There is an awkward exchange of glances between them as the car pulls away. Just at that moment a van passes, the side door opens and sprays the car with bullets. CUT TO: EXT. sTRANGERS CAR - momENTS LATER We see the slumped over bloody bodies of Leslie and Tony. EXT. prison - lATER Lindas car pulls up to maximum security prison. INT. prisON VISITING ROOM - lATER A vicious looking male prisoner in full body shackles is led to a chair in front of a glass window where on the other side Linda is waiting for him. LindA Its over! Your daughter is dead...Now just leave us alone! Linda gets up and leaves. We see a close-up of the prisoner whose pupils get large and fill his eye sockets. End flashback CUT TO: INT. caR - dAY Leslie extends her hand to Larry through the window and Larry slides out of the car through the door. Emergency crews work is heard in the background. EXT. cITY STREET - momeNTS LATER Leslie and Larry begin to ascend into the sky. Larry holds Leslie to his chest and hugs her. LARRY (begins to cry) Am I dreaming? Leslie...Im so sorry I let you down. If only I would have... LeSLIE Its OK Dad, I forgive you. (beat) Theres a couple things you need to see. DISSOLVE TO: EXT. graveyard - DAY Larry and Leslie walk by Margaret, a woman in her 70s who is sitting down in front of a tombstone apparently having a picnic and talking to herself, dog at her side. As they pass, she and her dog look up at them. They continue to a burial session where a coffin has just been lowered. Lindas mother Laura is seen glancing back and forth at Margaret during the final moments of the proceedings. Larrys friends and family begin to walk back to their car. Larry rushes over to Linda and tries to hug her but his arms pass through her. LARRY (upset) Linda, Larrissa..whats happening...this cant be real. LeSLIE Dad...there is nothing more for you here, its time to go. LARRY I didnt get a chance to say good-bye, that I loved her, that Ill miss... GUS Linda, Im so sorry, what can I do... LiNDA (sobbing and in shock) He was always working...he said we were doing so well...that he finally perfected the formula. (beat and now mad) That we would take a long vacation together! He promised! GUS (offering his shoulder) Linda, he did love you... LINDA (she cuts him off and beats on his chest) I had to sell the truck the pay for all this!! 000200000920000014D391A,GUS I wish there was something I could do but..but the company is in financial ruins. LARRY (wiping tears from his eyes) What?! Whats he saying, thats not true. (he reaches for Gus yelling) You liar, what did you do with all of the money? You son of a bitch. Larry turns to Leslie as Gus and Linda walk away. LeSLIE Its time to go Dad. LARRY I cant leave. I have to warn your mother...Leslie, what can we do...youve got to help me. LesLIE Im sorry Dad, theres nothing we can do. LARRY There must be a way, Ill do anything. LESLIE You dont understand, were not in that existence. Were in the process of passing from one dimension to another. LARRY Is it possible that while were in this dimension that we can interact with their existence? LESLIE To some extent, but not like what youre hoping for. Its more one way than both. We can hear and see everything, move around in time and space but they cant see or hear us, nor can we physically affect anything there. Leslie passes her hand through a head stone. LeSLIE (CONTD) Cant you see its over...were done here. Laura is watching Margaret and notices a faint white swirl circling her as she speaks. A hand partially and faintly forms from the swirl, disappears and then the same happens with a face. Laura approaches the minister. LauRA What...who is that women...what is she doing? Minister Ah, Dear Margaret...She lost her husband George two years ago after 60 years of marriage. People say that the shock of her loss drove her insane. She comes to his grave every Sunday rain or shine to have a picnic with him. She claims that she can actually communicate with him. Laura continues to see the effects of the faint white swirl and begins to approach her. In the background Gus gets into the back of a limousine. CUT TO: Int. Gus limousine - momENTS LATER Gus turns to a well dressed elderly man. Mitchell Does she have it? Gus No, Im sure she doesnt. She would have produced it by now if she did. MITCHELL This would have been a lot easier if you had picked a better way to kill them all. GUS I wouldnt talk, your drive by shooting last year only killed his daughter... Dont worry, Im going to find the formula even if I have to tear this entire town apart. MITCHELL Youd better, my associates and I have a substantial investment at risk. 000200000B5600001DEDB50,CUT TO: EXT. gRAVEYARD - momENTS LATER Leslie is consoling Larry as they begin to ascend into the clouds again as Laura approaches Margaret. LauRA Hello Margaret, my name is Laura. MarGARET I know who you are, George told me. Your son-in-law is in terrible danger. LAURA Larry?...but...Larrys dead. MARGARET Hes on his way to purgatory, trapped between the living and the dead. Your dead grand daughter and her kind will draw the soul from his body and he will suffer for all time. LAURA What, what are you talking about? MARGARET 3000 years ago, it was believed that Satan had sent his demons to gather souls. In reality, they were only human mutations who lived among us with only their blackened eyes giving their dark secret away. They multiply by hypnotizing their young victims and impregnating them. But their real power comes after their death where they remain in purgatory waiting to draw the very soul out of the recently deceased leaving them to experience intense pain and suffering for eternity while they experience ecstacy and pleasure soul after soul. LAURA Are saying that Leslie is...a mutation? MARGARET Yes!...She and her kind must convince the dead to accept their fate and move on. As long as the dead feel that they have unfinished business on earth, they will not be separated from their souls. EXT. cLOUDS IN SKY - mOMENTS LATER LeSLIE You must relax, accept your passing. Larry notices that the clouds are separating as they pass through them. LARRY Hold it...How is it that the clouds are moving away from us? LeSLIE I...I dont know. They begin to play with the clouds, pulling them into different shapes, taking a piece out and even starting a game of Xs and Os. LARRY Thats it! Weve got to go back. I think Ive figured out a way to get a message to Linda. To protect her and Larrissa. CUT TO: EXT. lARRYS OFFICE - aFTERNOON Gus is seen tearing Larrys office apart. We see a close-up of a BioFilm Solar Inc. prospectus (Larry Buchanan, President) showing a one year profit potential of $155 million as a result of using bio materials to produce solar film instead of oil-based silicone. On the wall hangs a prototype solar panel, the only thing that hasnt been destroyed. CUT TO: INT. kitchen of Larrys home - aFTERNOON Larry and Leslie appear while Linda is cleaning up the mess from having visitors. A pot of tea begins to boil. LaRRY Leslie...the steam from the teapot. Its water vapour just like the clouds. Leslie joins Larry and they begin to pull the steam into letters that rise above the stove. Although Linda looks directly at the steam, from her perspective she only sees steam rising. Larrissa enters the room. Larrissa Grandmas finally her. Laura walks into the kitchen with Margaret. Margaret smiles at Larry. LinDA Where did you disappear to? Laura Honey, this is Margaret McDonald. She lost her husband a couple of years ago. 00020000071B0000293D715,LINDA Hello Margaret, my condolences. Margaret Thank you dear, he is still with me you know. I see yours is still with you. Linda looks at her mother as if dumbfounded. Her mother simply smiles and nods. Larrissa Grandma? Laura Margaret is gifted. MARGARET I am blessed with being able to communicate with my dear Herbert. LinDA What?! Are you... MARGARET When my husband died I was heartbroken. I didnt eat or drink for so long that I had all but passed over to the other side. When they brought me back to life I found that I was still connected to the other side somehow. I can see your husband and...and your daughter. (she points with fear) LINDA Leslie?? Larry?? LARRY Im here Linda...oh my god! (he looks at Margaret) Tell her I love her, tell her what Gus is up to, tell her where the formula is. From Margarets perspective we see an energy outline of Larry & Leslie and frantic arms waving, we hear nothing. MarGARET Larry would like to communicate with you. Do you have any candles or incense? (beat) Maybe we should all sit down. Linda produces some incense, places it on the kitchen table and lights it as everyone sits down. MARGARET (CONTD) Larry were ready. Larry tries to speak but gets no reaction. He notices that the smoke from the incense moves around Leslie so he begins forming letters. L I N D A LarrissA (points to smoke) Oh my God, look. Linda Larry, is that you? MarGARET (reads smoke letters) Y E S FADE TO BLACK. FADE IN: Several short shots of words and sentences being viewed. Linda (in shock) It was Gus! Larry suspected him. LeSLIE Were done here Dad. At that moment Leslies pupils fill her eyes and she begins to morph into a demon. Tony the stranger appears and also morphs into a demon. They grab Larry and start dragging him through a portal in the wall. 000200000D0D00003052D07,MarGARET (screams) Somethings not right. Everyone rushes to her side. MaRGARET (CONTD) Leave me, do what you know you have to do...George and I will do what we have to do. Everyone rushes out. FADE TO BLACK. FADE IN: INT. caverns - nIGHT Scenes of Larry being dragged through what appears to be caverns filled with ghouls, demons, and dark spirits. FADE TO: InT. lARRYS OFFICE - NIGHT Linda and Larrissa pull the solar panel off the wall and remove the back covering. Inside they find the formula. CUT TO: Ext. bioFilm inc. - nIGHT Linda and Larrissa are seen running out of the building by Gus and Mitchell and are pursued by the big limo through the alley. Just as they are about to be rammed, steam coming from the sewer swirls up around the car and blocks the view causing the car to smash into a brick wall. Two black wispy ghouls dive through the roof of the back seat and drag Gus and Mitchell out screaming. Linda and Larrissa look at each other with relief. In the background Margaret walks past the entrance to the alley with a swirl of white spirits circling her. INT. cavERNS - next morning Leslie & Tony are drawing Larrys soul from his body and his face is starting to look like theirs. The entrance to the realm begins to grow dark with hundreds and then thousands of white swirls and wisps. The ghouls, demons and dark spirits charge back leaving Larry to be rescued by several other white swirls and wisps. The only 2 ghouls left behind watching Larry are Leslie and Tony and after a short struggle one of the white wisps forms into an angelic figure which forces them back with a light that emanates from her hand. She begins to ascend up through the ceiling into the clouds as Larry remains in a semi-conscious state. CUT TO: ExT. bIOFILM INC. - at the same time A tow truck is hauling Mitchells limousine away. A detective is speaking with Linda in front of BioFilm Solar Inc. beside the alley. LiNDA ...and thats why Gus was trying to run us down. Once he had the formula he could sell it to the highest bidder. DETECTIVE I see. Well, well continue to look for Gus accomplices. In the meantime, you can take some solace in what your husbands invention will mean to mankind. As the camera widens we see an ominous black limousine with its rear window down, Victor is in the back seat and a sign on the door, Oilco. The sound of traffic can be heard with sirens in the background and people talking. CUT TO: EXT. clOUDS IN SKY - mOMENTS LATER Larry begins to regain consciousness as the clouds dissipate and we see a close-up as he starts to move. InT. cAR - DAY - mOMENTS LATER Larry hears the sound of people shouting, sirens ringing and the calming, reassuring voice of a woman speaking to him through his broken window. Female paramedic (same woman as was the angel) Youre OK. Everything is going to be alright. He looks at her and then towards his wife. Another paramedic feels his wifes neck for a pulse and then indicates to the other paramedic that she is dead. Larry, dazed, looks in the back seat at Larrissa who is sitting upright and totally un-phased by the accident. He looks out the front window in shock. A close up look at Larrissa reveals that her pupils get large and fill her eye sockets as the camera pulls back to get an aerial view of the accident scene. THE 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Suggestion*?Courier Final Draft (MORE)(CONT'D) (CONTINUED) CONTINUED:aCTRp nMan 1YAHKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Speech\Voices\Tokens\MSMikemMan 2X@HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Speech\Voices\Tokens\MSSampWoman 1YAHKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Speech\Voices\Tokens\MSMarypWoman 2YAHKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Speech\Voices\Tokens\MSMary=Boy 1(`Q|g({DEST`=Boy 2(ԑPO|u``oGirl 1YAHKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Speech\Voices\Tokens\MSMaryoGirl 2YAHKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Speech\Voices\Tokens\MSMaryoOld ManX@HKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Speech\Voices\Tokens\MSSamr Old WomanYAHKEY_LOCAL_MACHINE\SOFTWARE\Microsoft\Speech\Voices\Tokens\MSMary GENERAL SCENE HEADING ACTION CHARACTER PARENTHETICALDIALOGUE TRANSITION SHOTk1Arial W?Courier Final Draft 6 Cast List.  - 1/81/87/81/82/81/83/83/82/82/81/81/82/81/82/83/82 2/84/814/82/81 7/81/81/83/83/84/81/84/8PAGE11222233333444447789911121212121313FFFF000000060002000177AA00000000005F0000000020001101-7F7C6F000480048-25F2E9200101-10E292E928DFFFF01043000010000003B000000010A48405F712E924598038E0002DD712E9C500002000000A900000000A4, Forever Lost by Ralph Pritchard Version 1.3 125 Cherry Lane Shediac, NB E4P 1M8 ralph.pritchard@rogers.com 506-532-68810004000000460000000E011442016836F17437717837B17D38C18D3971A610005000000140000000401142541A6000060000012D0000000610C30FFFF0C00000 10 10930FFFF0C00000 A0 10A40FFFF0E00000 10 10930FFFF0C00000 50-1020A40FFFF0E00000 10-1020930FFFF0C00000 00070000005400000003010180480 2018010480 101800008000002120000000340,System40,Courier10A014E440007014000100000011640,Courier Final Draft40,Courier1040-1C0614E407010100000011640,Courier Final Draft40,4014E4070101010000900000005000000020000A0000001B00000002E2932628DE2932628D000B00000005000000020000C0000001700000001431AE2251C4D1000F000000590000000050E010 104,, 4,4,p*4,H4,$4,p4,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF001280000000A00000001A6001290000000A00000001A60FFFE000000060002000177AAD n PFFFF000000060002000177AA00000000004F0000000020001101-7F7C6F000480048-20F0-10 F264FFFF010200001000000340000000103408105AF20A20388000203F20A0000200000007000000003,[].00040000000C00000003023530005000000090000000201500006000000EE0000000430C30FFFF0C00000 10 10930FFFF0C00000 20 10C201020040FFFF0C00000 10404DC70121C289C010930FFFF0C00000 10438B900 00070000003800000002010180205A0 1018000080000016B0000000240,System40,Courier10A014E440007014000100000011640,Courier Final Draft40,Courier1040-1C0614E4070101000000116000900000005000000020000A00000013000000020F2640F264000B00000005000000020000C0000000A0000000101000F0000005500000000400 10 104,77A4,4,4,4,n4,or4,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF0012800000009000000015001290000000900000001500014000000AC000000001C289C5C1AE204211C28FC02C,E,42,>Page #"4hj?Q"h FFFE000000060002000177AADlFFFF000000060002000177AA00000000004B0000000020001101-7F7C6F000480048-20C0-10 C264FFFF0100001000000330000000101408105AC20A038E000203C20A0000200000005000000001, 0004000000090000000201300005000000090000000201300006000000640000000210C30FFFF0C00000 10 10930FFFF0C00000 30 00070000003800000002010180205A0 1018000080000016B0000000240,System40,Courier10A014E440007014000100000011640,Courier Final Draft40,Courier1040-1C0614E4070101000000116000900000005000000020000A00000013000000020C2640C264000B00000005000000020000C0000000A0000000101000F0000005500000000400 10 104,77A4,4,LI~14,um4, 24,W4,00130000007E00000000DA91F8CE1C1D1E1F7F1B044,-..'"FFFF0FFFF001280000000900000001300129000000090000000130FFFE000000060002000177AADQ6$$